Fans of The Wolfman, An American Werewolf In London, The Howling and Dog Soldiers cannot miss this atmospheric horror TV movie from the late 1970s.
The story follows Jason Palmer, a high-strung financial consultant who, plagued by debilitating nightmares and stress, is ordered by his physician to take a restorative vacation. He chooses Hawaii, the former mission site of his grandfather, unaware that he carries a dark ancestral inheritance. His arrival coincides with a string of brutal, animalistic murders targeting young women, as well as a series of resort robberies being investigated by hotel security chief Rick Bladen.
As Jason falls for a businesswoman named Diane, he discovers that his grandfather was cursed by a local coven for his missionary atrocities, a hex of lycanthropy that now manifests in Jason under the Hawaiian full moon. The narrative tightens as the skeptical police and the vigilant Bladen close in on the source of the carnage, culminating in a tragic confrontation at the site of the original curse.
As a late-Seventies teleplay, Deathmoon functions as a curious hybrid of a traditional gothic monster movie and a contemporary police procedural. Director Bruce Kessler, a prolific television veteran who had recently helmed the occult-themed Cruise Into Terror, utilizes the exotic Hawaiian locale to create a sense of tropical isolation. Robert Foxworth provides a grounded, internal performance as a man losing his grip on reality, while Joe Penny brings a youthful charisma to the role of the security officer.
The film explores themes of colonial guilt and the persistence of ancient indigenous power against modern American capitalism. By framing the werewolf curse as a direct consequence of Christian imperialism, the script by George Schenck and Jay Benson adds a layer of social anxiety often absent from more conventional creature features of the era.
Historically, the film arrived during a period of transition for the werewolf sub-genre, predating the practical effects revolution of the early 1980s. The movie relies on traditional lap-dissolve transformation sequences reminiscent of the 1940s Universal classics, though it attempts a more modern, lurid tone through Paul Chihara's dissonant score. The production also highlights the contemporary trend of using television movies as vehicles for rising talent like Joe Penny and established character actors like Dolph Sweet.
Deathmoon (1978)
Genre: Horror, Mystery
© 2026 Safier Entertainment. Published under license.
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The story follows Jason Palmer, a high-strung financial consultant who, plagued by debilitating nightmares and stress, is ordered by his physician to take a restorative vacation. He chooses Hawaii, the former mission site of his grandfather, unaware that he carries a dark ancestral inheritance. His arrival coincides with a string of brutal, animalistic murders targeting young women, as well as a series of resort robberies being investigated by hotel security chief Rick Bladen.
As Jason falls for a businesswoman named Diane, he discovers that his grandfather was cursed by a local coven for his missionary atrocities, a hex of lycanthropy that now manifests in Jason under the Hawaiian full moon. The narrative tightens as the skeptical police and the vigilant Bladen close in on the source of the carnage, culminating in a tragic confrontation at the site of the original curse.
As a late-Seventies teleplay, Deathmoon functions as a curious hybrid of a traditional gothic monster movie and a contemporary police procedural. Director Bruce Kessler, a prolific television veteran who had recently helmed the occult-themed Cruise Into Terror, utilizes the exotic Hawaiian locale to create a sense of tropical isolation. Robert Foxworth provides a grounded, internal performance as a man losing his grip on reality, while Joe Penny brings a youthful charisma to the role of the security officer.
The film explores themes of colonial guilt and the persistence of ancient indigenous power against modern American capitalism. By framing the werewolf curse as a direct consequence of Christian imperialism, the script by George Schenck and Jay Benson adds a layer of social anxiety often absent from more conventional creature features of the era.
Historically, the film arrived during a period of transition for the werewolf sub-genre, predating the practical effects revolution of the early 1980s. The movie relies on traditional lap-dissolve transformation sequences reminiscent of the 1940s Universal classics, though it attempts a more modern, lurid tone through Paul Chihara's dissonant score. The production also highlights the contemporary trend of using television movies as vehicles for rising talent like Joe Penny and established character actors like Dolph Sweet.
Deathmoon (1978)
Genre: Horror, Mystery
© 2026 Safier Entertainment. Published under license.
We secure AVOD rights for those who lived through the VHS Era and those discovering the magic of 1980s Cinema for the first time to provide you with a 100% FREE full-length 80s entertainment experience on YouTube!
SUBSCRIBE HERE: https://t.ly/cTKAr
SHARE - LIKE - FOLLOW
Partner your channel with the #1 Movie-themed YouTube network:
https://www.greaterfool.tv
???? Watch heartwarming wholesome films with a positive message: https://t.ly/9fh9l
???? Watch legendary black and white movies from the Golden Age of Hollywood: https://t.ly/NrRst
???? Join the Community and discuss our top 1990s stories and heroes: https://t.ly/aX2_3
????️ Watch Old School vintage films from the 1940s to the end of the 20th Century: https://t.ly/Cygm7
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